Criticisms
Park Jung Hyuk explores multiple layers of visual art through various media, including painting, installation, and video. His work closely examines the structure, meaning, and affective power of images. His paintings recombine fragments of images extracted from mass media, strategically disrupting the viewer’s habitual sensory framework. Visual elements appro
2025
Criticisms
A single phrase, like a single photogram, must be capable of delivering a rich range of visual stimuli within an unceasing flow of motion. (…) Every verb on every page appears in the present tense, as if all events were unfolding right before our eyes. New incidents rush in, and all distance between one and the next collapses into immediacy.
2025.05.20
Statements
This work uses the phonetic and cosmological principles of Hangul’s invention, and its process of development into a global writing system through discrimination, contempt, hardship, and overcoming since its creation in the fifteenth century, together with Koi’s Law, which states that the size of an individual is determined by its environment, to show—through a found-footage technique—why Hangul has come to be positioned within global culture at this moment.
2020
Criticisms
The fluttering silver foil you are looking at is a “troublesome meta-material” completely detached from the traditional solidity of canvas or hanji. In this exhibition, Park situates these chaotic, sensorial works within the mutable conditions of an alternative space in Mullae-dong. Interpreting concealed structures of power through an uncanny sensibility, the works unsettle our habituated, disciplined mode
2019.09.20
Criticisms
Artists create for many different reasons. Some work in order to convey a clearly defined message; others simply because they have something they want to say. Still others create because they feel a more ambiguous but equally compelling need—to draw, to make, to release something that must be let out.
2018
Statements
7 vertices is a work that was exhibited in the group show 《Faces We Want to See》 at the Lee Han-yeol Memorial Hall (October 7–November 30, 2015). The exhibition selected six individuals who had been sacrificed during the process of democratization or in popular struggles for livelihood, paired each with one of six artists, and presented their lives through each artist’s distinct mode of expression.
2015.10.07