Muscle Memory Drawings
Muscle Memory Drawings
Muscle Memory Drawings
Muscle Memory Drawings
Muscle Memory Drawings
Exhibitions
When different medium and senses come together in a single space, what kind of scene will this encounter create? SPACE.SUPERNORMAL has launched a new exhibition. This exhibition, which will mark the end of 2025, is a group exhibition of 33 artists curated by artist Sim Seung-wook.
2025.12.10
Exhibitions
Yeoljeong Gallery will present 《Rebellious Possibility》 from February 7 to March 4, 2025. Known for constructing a distinctive visual language through diverse media and experimental approaches, Park explores the fractures and contradictions embedded in contemporary society. This exhibition introduces a new body of work that further expands his ongoing inquiries.
2025.02.05
Exhibitions
From the 2023 work Park’s Land 27—where the veil encircling the Virgin Mary's head meets the protruding snout of a wolf placed squarely at the center—I begin to trace the artist’s aesthetic clues. The recent series titles, announced as periodical themes, are gathered under “Park’s Land.”
2023.05.11
Exhibitions
Before written history, the birth of a nation was often mythologized through stories that carried the desires, hopes, and survival instincts of the era. And within these myths, transformation is always present. In essence, for a new polity to emerge, something of the old had to shift. The newly formed state then needed a narrative that could encourage its people and affirm their will to live well.
2022.04.08
Exhibitions
Seven billion… perhaps more. That is the current estimate of humanity’s population. Seven billion people inhabit this Earth. But do we even wonder exactly how many there are? For now, the most immediate reality is simply that I exist, living my life in this moment. Perhaps all that my life pursues—or is already pursuing—are the easiest, most accessible ways of living. Seven billion people coexist on Earth, each carving out territories, or systems.
2019.12.20
Activities
Our Art Store collections are artworks in their own right—objects shaped by the artist’s hand, carrying their sensibility and unique creative voice. Produced in limited quantities, each item holds strong collectible value while offering a way to bring art meaningfully into everyday life. Discover a special edition available exclusively at Yeol Jeong Gallery.
2025.02.07
Activities
《Drawing-Growing》 spotlights the earliest stages of artworks—the drawings, sketches, and initial ideas—and presents them as works available for purchase. Through the experience of acquiring these “starting points of artworks,” many art enthusiasts grow into collectors, while sharing in the experience of “growing through drawing.”
2023.06.10
Activities
Through a wide range of series and media, Park Jung Hyuk questions the fixed assumptions, habits of thought, and structural contradictions embedded in contemporary society. People often say that we see only as much as we know—but more precisely, we can see no more than what we already know. Viewers who interpret a work solely through familiar, internalized frameworks inevitably encounter the limits of their own vision. With bold and incisive approaches, Park aims to pose new questions about our era and its conditions, seeking to step outside the narrow role that society often imposes on artists.
2022.11.11
Activities
Many artists reside in Goyang City. However, the support programs and infrastructure for these artists are far from satisfactory. Kim Chan-dong, director of the Arko Art Center, said, “Although the art museums and performance facilities are not poor compared to other regions, considering the number and level of resident artists, the environment is definitely inadequate.”
2009.10.13
Activities
This performance was presented in November 2004 at the 5th Gwangju Biennale, inside Exhibition Hall 5, and was documented throughout the exhibition period through video and photography. For this project, the artist created a fictional organization called KMDC (Korea Mix Dog Club) and carried it out in collaboration with two animal-welfare groups — 〈Areum-Pum〉 and 〈Bodumi〉, who work
2004.11.30
Criticisms
Park Jung Hyuk explores multiple layers of visual art through various media, including painting, installation, and video. His work closely examines the structure, meaning, and affective power of images. His paintings recombine fragments of images extracted from mass media, strategically disrupting the viewer’s habitual sensory framework. Visual elements appro
2025
Criticisms
A single phrase, like a single photogram, must be capable of delivering a rich range of visual stimuli within an unceasing flow of motion. (…) Every verb on every page appears in the present tense, as if all events were unfolding right before our eyes. New incidents rush in, and all distance between one and the next collapses into immediacy.
2025.05.20
Statements
This work uses the phonetic and cosmological principles of Hangul’s invention, and its process of development into a global writing system through discrimination, contempt, hardship, and overcoming since its creation in the fifteenth century, together with Koi’s Law, which states that the size of an individual is determined by its environment, to show—through a found-footage technique—why Hangul has come to be positioned within global culture at this moment.
2020
Criticisms
The fluttering silver foil you are looking at is a “troublesome meta-material” completely detached from the traditional solidity of canvas or hanji. In this exhibition, Park situates these chaotic, sensorial works within the mutable conditions of an alternative space in Mullae-dong. Interpreting concealed structures of power through an uncanny sensibility, the works unsettle our habituated, disciplined mode
2019.09.20
Criticisms
Artists create for many different reasons. Some work in order to convey a clearly defined message; others simply because they have something they want to say. Still others create because they feel a more ambiguous but equally compelling need—to draw, to make, to release something that must be let out.
2018